Celebrating the Motherland–and Happy 4th!

 

I just returned from England—you know the country we rebelled from over 200 years ago—and they seem to like us. Every time I spoke, my accent gave me away. “Where are you from in America?” they would ask.

“California.”

“Oh, I want to go to San Francisco, I’ve always wanted to see it.” They would tell me about the time they came to America and how they loved it here. The waitresses and shopkeepers would sweetly tease me about the American terms I used and I soon got used to “lift” instead of “elevator,” “boot” instead of “trunk,” “queue” instead of “line.” It amazed me how friendly everyone was, looking me in the eye as I ordered my tea, asking how my day was as if they really cared. Lovely.

London was all decked out with flags celebrating the 60 years of Queen Elizabeth II, and anticipating the Olympics in a couple of weeks. The city was vibrant with sun, leafy green trees, cute red double decker buses, polished statues of Victoria, and lots of smiling tourists and Londoners, all polite and queuing like they are supposed to.

I spend time in the far past of history, reading a book on life in 14th  century England—that was rough living—people were starving, and society was built on a slave system. At the exhibit at the British library “Writing Britain,” I viewed 1,000 years of literature; saw original manuscripts of Charlotte Bronte and her sister Emily. No edits on the pages — just a beautiful flowing hand written by ink and quill. The exhibit displayed many other author’s original works—which makes you believe in editing. The pages were crossed out and scrawled on by hand, with margin notes. If George Orwell, JRR Tolkein, John Lennon, JK Rowling, and Charles Dickens need to edit to create their literature, then we writers need to be okay with it too! A high point: listening to John Lennon sing “In My Life” while looking at his original verses, captured while he was on a bus from his home town to Liverpool. Yes, it’s an autobiographical song, as is Penny Lane, scribbled on the same piece of paper.

 

History is alive in England, in St. Paul’s Cathedral which miraculously escaped the huge fire during WWII that destroyed the City of London, is rising from the smoke in the famous photograph that assured London that at least something of value remained—one of the most beautiful cathedrals ever built.

I heard Evensong there, the voices lifted to the huge dome, gilded angels everywhere in this amazing church designed by Christopher Wren. People from all over the world visit a place that has been a sacred place for 1400 years. There’s Stonehenge and its mysteries in the Salisbury plains; everywhere there are stones, rocks, ruins, castles–history in the landscape.

Everywhere there is a story…the written and unwritten history of the land and the people, even in the Hard Rock Café where you can enjoy American hamburgers and an English pint all at once, to the rock tunes of the last 40 years. Nelson’s column at Trafalgar Square, hundreds of years of paintings in the National Gallery. Big Ben booming out the quarter hours while the Thames, witness to all the changes of the people, flows on silently, bearing its secrets.

 

 

It was a quintessential England summer day when I went to Kent to see Sissinghurst, a castle purchased by Vita Sackville-West and her husband Harold Nicolson where they laid out the  famous white garden. It was unfortunately closed that day, but there was a beautiful emerald green world, an Elizabethan house, gardens and trees graceful and green, green, green. I wandered in Scotney Castle, built in the 1300s as a defense against the French, and then a family home for centuries. A new home was built just above the castle which is picturesque and tucked amidst the trees.

 

 

History, as I said was everywhere. While today Americans celebrate our independence, but in England, I saw a lot of love for Americans. I guess they have forgiven us. History lives and is trumped by the Present. Happy 4th!

 

 

Memoir Writers: Write and Build Your Platform Too

 

We hear this term “platform” so often—and many of us are still trying to figure out what it means. It’s actually simple—it means “audience.” The concept of “platform” means that we build our audience in various ways—in person, with friends, community, colleagues, our network of other writers, people with whom we have a lot in common, and those are who are interested in our topic.

This network, which has the potential to grow outward and upward—creates a launch pad for us when our book is finally done. Bit by bit, over time and with care, we create an audience who will cheer us on when our book comes out—and even more than that—they will buy our book and tell their friends about it!

 

Dan Blank is a social media guru and founder of WeGrowMedia.com

Dan spoke to us at the National Association of Memoir Writers 2012 Telesummit Writing in the Digital Age a couple of weeks ago about how to make social media outreach easy to understand.

 

I had a few ahas during the Telesummit:

  • We don’t have to grow huge numbers on Facebook and Twitter. What matters is the message that we are passionate to share, and communicating it in a meaningful ways.
  • We need to be authentic about crafting our message and be real about who we are. After all, our book, our writing, and our presence online needs to match up with who we really are, not some fake persona that we don’t live up to.
  • The best thing we can do is to write, write, write, first and only do the social media activities that we feel comfortable doing. If we hate what we are doing, that will slow us down in creating our platform.
  • Because writers tend to be more inwardly focused, we need to learn how to do outreach at our own pace. It will get easier over time. I have found this to be true.

 

I’m learning a lot from Dan through one of his online courses. I’ll be sure to tune you into my new insights as they come. In the meantime, I set a goal to write two hours a day. No, I don’t always get the full two hours in, but it’s something to aim for. That is how we get the writing done—one day at a time.

What did you write today? How many words did you get on the page? How do you plan to begin tomorrow? Some writers edit to begin their writing day, while others get out the pen and paper and write longhand. Others write morning pages or a poem. What is your best method?

 

Jane Friedman also writes great stuff about platform. Check out her blog. Find others who blog about the topics you want to learn more about and sign up for their blog posts. Bit by bit, you will learn from others about how to write, blog, and create your desired audience.

 

 

 

 

 

 

 

 

 

 

 

Memoir Writing — A Creative Path to Self Awareness

 

Writing stories heals body and soul, and is a powerful way to change our perspective about the past. Not only that, it’s a creative way to learn about yourself. Dr. James Pennebaker and Joshua Smith published the first research on writing as a way to heal and recover from past injuries in the Journal of the American Medicine Association in 1999. Pennebaker states that writing stories is even more healing than journaling, and helps to heal asthma, arthritis, and chronic fatigue syndrome. Dr. Pennebaker’s site has a lot of articles about writing, healing, and the benefits of using certain language as a means for healing. Though we all have sensed that writing allows self expression and opens up awareness about our life, the research is a powerful testament to the power of words and story to create change.

For most of us, it’s easy and fun to write good memories, but most people have negative memories that linger and need release–the death of a loved one, depression, illness, or  anxieties because of family dysfunction or various kinds of abuse. Society seems to try to get us to forget the past, but traumatic memories do not go away by will power alone, or even years of therapy. The ways we try to escape–through alcohol or addictions, for instance–only makes us more alienated from ourselves. Traumatic images and reactions disappear underground for a time, only to reappear when triggered by an event in current time–often called flashbacks. But these incidents can be healed through writing–and rewriting. Sometimes the same event needs to be written about many times in order to be released.

Traumatic memories are stored in the brain in a different way than regular memories, but research continues to show that writing allows a new kind of processing to occur.

When you integrate the memories into your regular memory, you can move into a present and future renewed and with more energy–the pain of the past is put into perspective–perhaps not forgotten, but no longer seeming like an immediate and current injury.

Writing a story is different from journaling. When we journal, we spill out whatever we are feeling in a random way, and it doesn’t matter how we write it. Writing a story requires that we  choose its shape and focus. This structuring and choice about scenes, dialogue, and characters opens up a creative space where writing can work its magic, where something new is created. Where we encounter the unknown. Pennebaker says, “Story is a way of knowledge.” We learn about ourselves throught writing story.

And there’s another exciting aspect to story writing in memoir: you are both the narrator and a “character” in the story. The narrator choosing what to write as an objective observer helps us to witness our younger self, and reveals a new perspective on the past. We weave a new place in the “now.”

In my book The Power of Memoir, I present an 8 step pathway to write a memoir–from researching your past to character studies, using turning points and the timeline to sort through your memories, and techniques of story structure. The research by Pennebaker and others is presented–and it’s quite exciting stuff. Writing really does help to heal physically–several writers I know with arthritis have improved functioning after writing for a few months, telling their truths, freeing themselves from the past.

The upcoming webinar at Writer’s Digest I’ll be offering a whole course in memoir writing in 90 minutes–which includes a recording, the live webinar, Q&A, and free critique. It will include techniques for writing freely and quickly, taming the inner critic, creating the arc of the narrative, writing powerful scenes, and much more.

Tips for writing a memoir:

  1. Make a list of the ten most important turning points in your life. Then choose a story from each one and write a new story each week.
  2. Write a list of the critic voices –either your inner critic or the voices of family or friends.
  3. Put the worry-critic list aside and begin writing using the turning point list.
  4. Capture your stories in vignette form without worrying about chronological order.
  5. Use photos to spark your memories. Think about what happened before and after each picture and describe the photo in detail.
  6. Create a sacred-space around you while you are writing. Don’t share your stories with anyone for a while. Protect them as if they were tiny plants in your garden.
  7. Write in the “I” voice in present tense for maximum intensity and immediacy.
  8. If you write in the past tense, you can easily move back and forth through time–using reflection as a way to create perspective.
  9. Think about your themes–asking “what is this about? What important message to I want to share with others?”
  10. List 5 things a reader will take away when they read your memoir.
  11. Create a writing schedule –writing 500 words–two pages–per day gives you a whole book in six months.
  12. Meditate on a mountain pool in France–see the above photograph. Linger in the reflections and start writing!

Memoir Writing and Creativity in The Year of the Memoir—2012

By now quite a few people in my networks have heard that I decided to call 2012 The Year of the Memoir. Why did she do that, you wonder. What will we call next year?? More importantly–what is Snoopy writing in HIS memoir?

First of all, I trust in the powers of creativity. They are greater than I, or you, or anyone, but the deal is, we have to find ways to listen to that still small voice that whispers brilliance in our ears and we need to find ways to bring our creative thoughts and ideas into form in the world. The idea of a baby is quite different than birthing one, don’t you think? The idea of a book is an idea—until you bring it to life on the page. We need help to get our work born, we need inspiration and support. Techniques and goals.

We need to have a sense of being able to do what we want to do—so declaring it is a way to keep ourselves honest. Think of the writers—Dickens, Virginia Woolf, John Steinbeck among others—who wrote and shared with other writers their creative experiences, their doubts and fears.  Each of them announced what they were working on and in so doing, created intentionality and a goal. As well as a well-oiled support group. The Impressionists did this as well, discussing, painting, trying, failing, and still they painted and changed the world.

Inspiration and Perspiration—how much of each?

Inspiration helps many of us get ourselves planted in the chair to write, but as you know, writing requires some effort, some perspiration, in order for us to wrestle with the various ideas coursing through our brains. We wrestle with technique, with images, with memories. With the Inner Critic, with the voice of family.

But we keep writing. That’s the only way. We learn from our reading—how did that author keep ME turning the pages? Why do I find it hard to put down some books and others I can’t finish. Ask those questions, learn from everyone around you. Have a beginner’s mind.

I have likened writing a memoir to a journey in other posts. This week I began teaching my online workshops and was so jazzed to hear the eagerness in the voices of the students in the workshop. They are engaged in such a creative dance on their journey to a finished memoir.

Here’s what some of them said:

  • Writing validates my experience. I feel better about who I am when I write.
  • Not writing made me realize how much I need to write to know who I am.
  • Writing my memoir has helped me get along better with my mother and ex-husband.
  • Writing about the past helped me to let it go.
  • The year of the memoir idea made me realize that I want to get my book done this year!

Having a name for the year set an intention for many of these writers.

How do you set your intention?

How do you keep your goal in mind?

Some people journal, some write out intentions and put them up on the wall.

Others put their intention on the calendar and create accountability.

What method do you want to start this week during the first month of the Year of the Memoir?

How many words will you have written by Feb. 1??

Think of Snoopy writing his memoir, and smile. It keeps you open and flexible, smiling. Keep writing!