Imagining Mother | An Imaginary Memoir

 My mother Josephine, age 10, with the dark hair. She had lived with her great-grandmother since she was 6.

 

All of humanity has something in common: we were born to a mother. We might not know who she is/was, or we might have been blessed to be bathed in her love–however she might have shown that love. Perhaps we were close to our mother, or yearned to be closer. Once she became a mother, she may have lost her original identity–what was her maiden name. Do you know what her life was before she had children–before you were relating to her as “mother?”

 Look at photographs of your mother–was she smiling? What was she wearing? Is there a familiar mood she exudes? Can you tell what she was feeling; do you know what she was doing just before or just after the photograph was taken? What do you imagine she felt/thought/did that day so long ago?

I’m often asked by people who are writing memoirs, “How can I write about my mother’s life? I don’t want to write fiction, but of course I wasn’t born yet for a lot of what she lived through. The stories I know are from others, from letters, from journals.”

 Here’s a great way to learn about your mother or grandmother:

1. Read about the era she lived in–clothes, furniture, food, holidays, schooling, expectations of those times. These can be found in history books, online, in diaries and in fictional stories set in that era.

2. Look at a photograph of your mother–is she smiling, posed or casual, what is her body language, what do you know about her at that age?

3. From what you know or imagine about your mother, write some pieces about her–from her point of view. Write a letter from her to her mother when she was 18 years old. What might she have said?

4. Write a diary entry about a secret your mother had, or might have had. See what comes out.

5. Write a diary entry she might have written on the day, or week, of your birth.

6. Create a scene where something in her life that was negative turned out to be positive. Rewrite her history.

7. Journal about your experiences as you create someone new in your imagination. Call it fiction, call it body knowledge or intuition. Who knows? But these exercises might tempt you to know more about her, or see her as separate from you–as a person with her own life, hopes, dreams, and disappointments.

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It’s Muscatine Iowa, circa 1926.  Josephine is playing with another child in the family who lives with her great-grandmother, also called Josephine, the mother of Blanche.

The woman who became my mother was an abandoned child, like me. As a little girl she would wait and wait for her mother to visit, and melt into her arms for the few moments of ecstasy before having to face the “real” world, which later she would describe as dingy and depressing.

Muscatine was the home of several generations of her mother’s side of the family. Her father lived about 20 miles away with a new wife and their baby daughter. I see her feeling displaced, I can see the sadness in her eyes from the time she was very young. This photograph was given to me by a relative after she died. I stare at the photos of mother when she was young, and I can see her then, her small limbs, her dark wistful eyes.

Little Josephine used to walk up and down the sidewalk on Iowa street, glancing at the boats and barged that plied the Mississippi River just a few blocks away. The button factories, the alcohol plant, the industries along the wharf were more interesting to her than the women’s life at home, cooking, taking care of everyone.

She yearned for Chicago where her beautiful mother would come from on the train. She ached for the big city clothes and excitement. Her mother has planted hope in her heart. “Someday,” she says, brushing the dust off her smooth wool coat.

For now, Josephine must practice piano, study her lessons, and put up with farm people who have no dreams. She squeezes her eyes shut, and grits her teeth. One day, she will have her mother and all the finery and live in the big city. One day.

 

 

 

 

The Community of Writers | What Is Your Tribe?

 

It’s so exciting to have so many friends around the world–writers, heartful marketers like Lynn Serafinn, bloggers, like Kathy Pooler–I’m a guest on her site today–and all kinds of people passionate about memoir writing. I was telling someone about my good friend Sharon Lippincott the other day, and they asked how I knew her. Sharon is one of my colleagues at the National Association of Memoir Writers, and–we’ve never met, in person that is. We have talked on the phone countless times, collaborated, schemed ideas, planned, and even Skyped–so I know what she looks like–but meet? No, not yet. I hope to see her in person when she comes west. But we are good friends thanks to the Internet.

The other day on Facebook I was awed by the number of people responding to the huge beautiful moon this weekend–dozens of people posted about it and added their photos of the moon taken from all over the country. I felt blessed to be connected even in cyber space by so many people and their response to the moon! It is because of social media that we can be connected like this–and though people disparage the cyber space thing at times–every one of those posts I read was made by a real person. And on Twitter–it does not operate by bots, for the most part. The tweets that I read, and I don’t spend enough time there really, are all by real people who are writing, publishing, and reaching out with their message. It’s amazing to see this. There are so many communities online and so many ways to shake hands with people. I’m learning a lot about this attitude from Dan Blank, whose terrific course” How to Build your Author’s Platform” will help you change your thinking.

I know that memoir writers sometimes struggle with “social media” and mistakenly think that it’s superficial or a waste of time. I was one of those people, but no more. When we approach marketing and getting the word out about something important to us with respect, we will receive it back. When we offer something of value to others–in a memoir it’s the lesson, the message, the wisdom that is offered–others will think about how that message affects them. They will get curious and reach out to you.

Lynn Serafinn, a two-time guest at the National Association of Memoir Writers, is offering a conference about what I call “heartful marketing” in London in June–and I’m going! The reason I’m going is to connect with a large community of people who are passionate about having a spirit-ful connection with others, and I want to bring back lessons and wisdom about how memoir writers can shift their attitude about marketing and reaching out from a grudging “Okay, I supposed I have to start a blog and get on Facebook, what a drag,” to curiosity–”how can I make new friends on the web whom I would never know otherwise. How can I learn how to make all this work for me so I grow my community?” See below for how you can sign up.

1. Think about who you already have in your community–friends, relatives, friends of friends. That’s where you start.

2. Make a list of people whose message you resonate with–and what they say that triggers your response to them.

3. Now make a list of well known people–authors, talk show hosts, movie stars–whoever you really admire and like. Look at the review on Amazon of your favorite authors–maybe someone there is a person you can connect with.

4. Remember community is a circle–give and receive, comment and respond. It’s a little like going to a party where you shake hands and find out what you have in common. You listen, and you say a few things about yourself. Not the long form speech about your book, but the two-line elevator speech where you say what it is about and how it can help others.

There. Homework done, but keep making your lists and adding to them. Check your negative attitude at the door, and open up to the grand community we have here on the www–the World Wide Web.

If you are interested in Lynn’s global conference, the early bird discount is available. Sign up here for the conference or the simulcast–it’s very reasonable and easy to attend.

In my local community, I’m teaching a workshop at Beth Barany’s Write and Publish your Book in 2012 on May 19th.  A great group of presenters will get you up to date in the 21st century of writing and publishing.

Now, back to writing. Later, I’ll look into Facebook for a few minutes, Twitter for a few minutes, and stop off at a couple of blogs. Just a regular day with my community of writers!

 

The 7 Graces Global Conference - London and Live Stream

The What and Why of Memoir Writing

 

What is a Memoir?

A memoir is an a blend of real and imaginary, a story that reads like fiction but one that is real, based on real happenings, feelings, and people. Because a memoir is about “the truth,” it carries a certain weight. Your readers will throw themselves into the story in a powerful way because they identify with the real people that are the “characters” in a memoir. We identify with characters in fiction, too, and we also learn from them, but it’s not the same as it is in memoir. In a fictional story, we enter what John Gardner calls “The Fictive Dream,” where we are immersed totally in that world and don’t want to leave. Have you ever stayed up late reading a novel you couldn’t put down? That is being lost in the fictive dream! The same thing happens in a well-written memoir—we’re immersed in the world of the story and we don’t want to leave. We feel that we are learning from the author about aspects of life that are important lessons, a story about how we learn, stumble, make mistakes, and imperfectly grow and heal. Memoirs might be seen as present-day spiritual quests. Mark Matousek, author of Sex, Death, and Enlightenment and The Boy He Left Behind, says, “All memoirs are really a spiritual journey.”

Why Write a Memoir?

Beginning a memoir project is like being an explorer of new territory, an anthropologist, a psychologist, and a sky diver all at once—you take risks on the journey, but the journey is your challenge, a way to stretch yourself and to grow as a creative person. It gets your heart beating and draws upon your passion and the unique creative being that you are.

Writing a memoir—a story that is true—gives meaning to your life and connects you to the past and the present. It draws upon your dreams, imagination, and research skills. It hones your ability to use language and to express yourself. You might think of writing a memoir as a journey into self and soul, a means of change and transformation. Memoir writers express that they are changed by the experience for the better.

Let’s look at the reasons you might want to write a memoir, and how writing a memoir can change your life—for the better.

  • Writing a memoir—a story that is true—gives meaning to your life and connects you to the past and the present.
  • It draws upon your dreams, your imagination, and your research skills.
  • It hones your ability to use language and to express yourself.
  • Memoir gives more back to you than you put in—like magic, or like a garden.
  • Writing a memoir is a transformational and spiritual path.
  • Your story can change others’ lives . . . and your own.
  • Research proves that writing heals both body and mind.
  • Creating a narrative where you are the first-person narrator integrates the past and the present.
  • Remembering brings all parts of you together again.
  • Writing with your own voice is empowering, and it continues to empower, story by story.
  • Telling your truths frees you from shame and guilt. Why do you want to write your memoir?

What special knowledge do you have that you want to convey to others? Write a paragraph about this.

Who could benefit from what you know? List themes, audiences, and people you know who could learn from you.

Three Memoir Writing Tips to get your Book in Your Hands — and a Teleseminar with Marion Roach Smith

 

If you have been writing your memoir for a while, you know that it takes time, patience, and a workable process to get you to “The End.” And even that is just the beginning—of another round of rewrites, edits, and proofs until you hold your book in your hands.

I’m intrigued by what Marion Roach Smith says about all this in her book The Memoir Project, and I’m so pleased that she’s our guest at the April 27 Member Teleseminar at the National Association of Memoir Writers.

1. Marion has a unique approach: don’t do writing exercises—just write! I have mused about why this approach might be helpful, and at first I was surprised at the idea. We all write “for practice,” don’t we? We have our writing practice, our morning pages, and our journal. We steadfastly write the exercises in some of the writing books we love. But Marion makes a good point—many writers take SO long to get a piece or a book or even a blog post completed. Are they using that “magic juice” of creativity that we all have—measured out in spoons sometimes and other lucky times it’s a flood—while the project doesn’t get done?

I can understand what she’s saying: when I focus on a particular piece to complete, my writing process is different than if I’m musing, or doing less focused writing. We will talk about all this and more during the member teleseminar. The lesson here is: write your project, and focus.

2.  I work with many people who run into tangles— the emotional kind rather than craft—when writing a memoir. All manner of “visitors” show up—from the inner critic, with its demeaning comments, to the outer critic clamoring with the (imagined) voices of family, to conflicts about truth and memory. The solution: keep a writing journal that will help you work through these tangles. My friend and colleague Amber Starfire is going to speak to us at our May 18 Teleseminar at NAMW about Journaling your Memoir—a technique that also focuses you to get your memoir done. Amber has many tips and prompts on her website Writing Through Life. Be sure to join us for both of these terrific teleseminars!

3. Share your work with other writers, take classes and workshops, and read, read, read to develop your craft. Every book can teach you more about writing. Read Sharon Lippincott’s post on the NAMW website on this topic A Great Writing Class for Free. Check out some of the recommend books on the National Association of Memoir Writers website.

Do writing exercises seem to help you, or do they feel like just practicing writing your book instead of ACTUALLY writing it?

When do you write in your journal–and is it ever about your book project, or just downloading your feelings about something. There are no rules for journal writing, so we often can feel more creative and free there.

What is your deadline for having your manuscript done? For having your book in your hands?

 Learn more about the Memoir Teleseminar here.

 

Marion Roach Smith Author of The Memoir Project