The Open Window | Unexpected Forgiveness

 This week in honor of Mother’s Day, I’m writing about forgiveness as I have experienced it. I know that it’s a controversial subject for many, as evidenced in the recent comments on my Huffington Post blog article   Forgiveness–A Mother’s Day Gift.

As memoirists, of course we have to take a chance and tell our truths, which means being brave about sharing what we think and feel, despite whatever winds may blow. I’m joining my colleague Darcey Rojas in writing about forgiveness, though both of us decided this without the other knowing it–but we both had complicated mothers who had to contend with mental illness. Please go over and read her thoughtful and inspiring blog too.

This piece is about my grandmother who raised me, a complex person whom I often feared, but whom I loved as a mother. She raised me, she saved me, she was with me as I grew up. I guess that’s what a mother is.

 Lulu sepia

The old woman looked at me with an uncharacteristic glow, her deep brown eyes peaceful for the first time in years. For the last few years, I’d tried to escape my grandmother, her ballistic rants and thunderstorm moods, her hatred and grudges. But it’s not so easy when Gram was the only “parent” who cared enough to raise me. Still, the last sixteen years of her 8 hour a day rants—when she was in the mood–have worn me down.

Today I came to visit her in a convalescent home, after having just seen my father, who was dying of cancer of the liver. A dark cloud hung around me, the shreds of history woven by Gram and my father, a long war they’d waged for years. When I walked in the room, I decided that one word against him, and I’d walk out. I’d had enough of their hate and anger.

The history of these battles tied knots around my heart. When I was ten, Gram forced me to write hate letters to my father, and he answered in kind, letters addressed to me, letters filled with rage: damn bastard, greedy, no-good—accusations and counter accusations. I could feel a history I knew little about—he married my mother after a quick courtship, I was born 10 months later, and he was gone the first year of my life. Mother left me with her mother when I was four. Dishes were thrown when mother came to visit, vile words flung about during visits by both parents. My psyche was littered with the debris of war, sharpened knives of wounding words, saddlebags of grudges.

Today she looked so small lying there on the white sheets, her eyes soft, her voice like the Gram who used to brush my hair from my face and murmur, “You’re my Sugar Pie.” She was mother and father, best friend, advocate for reading, history, literature, foreign languages, the piano and cello, passionate about college and learning—everything she might have wanted for herself in another era.

Her slim fingers reached for my hand. “I have something important to tell you.”

The air in the room was not so dark and heavy as it used to be at home, and she appeared to be light, as in weightless, unburdened, so unlike her. What had happened to her since my last visit nearly two years ago when I ran from the house to escape her rage and hateful words?

She began telling me about her week in the Catholic hospital, St. Mary’s, how a priest would visit her, finding her weeping every day. In the last few years, she was either enraged or crying. 

“He told me that he could see my troubles, and he said he could help. He prayed with me, and then he offered me the last rites of the church.”

I tried not to react, but a jolt of fear ran through me—that ritual was conducted when someone was dying. Was she dying? I knew of her deep conflicts with religion—angry when I became a Baptist, and angry later when I decided to become an Episcopalian. She would thumb through a Catholic prayer book, but she never went to church during the years she raised me. “A bunch of damn hypocrites, that’s all they are,” she’d say. I looked at her face now, serene, nearly unwrinkled as she went on with her story. She couldn’t be dying.

“My sins have been forgiven. I feel lighter.” She smiled, again the kind of smile she’d give me years ago, when we first began.  She reached for my hand again., “Honey, will you please forgive me for hating your father all those years? I know he’s ill, and I’m so sorry.”

My mind stopped for a moment, shocked to hear her speak about him without rancor, even with compassion. Forgive her? I couldn’t lie to her, but her request was so unexpected, I wasn’t prepared for it. I was 25 years old, with a lifetime of unresolved stuff, a mountain of unfinished business that I imagined had been swept under a rug that reached to the ceiling. My heart was closed for self-protection. How could I trust and open to someone who had been so focused on her hate? I’d nearly given up on her, but here she was reaching out to me. I searched for a place in my heart, a corner, a small room with a window where forgiveness might be possible.

I don’t know how much time went by. It seemed that my whole history flashed in a kaleidoscope of images—the nights in high school when I cried every midnight, the welts from her yardstick, the sweetness of her hugs when I was little, her passion about WWII, England, Queen Elizabeth, Beethoven, piano music, and mostly travel, how her eyes would light up in the Nash Rambler on the road to Iowa every summer, how she loved the train, and the silver tea service, linen napkins and continental style of living. Silk dresses. Red lipstick. How she had seeded all this in me.

I found that open window—a gentle wind blew a lace curtain and the sun blessed us. Something in me melted and softened. “Gram, it’s okay. I forgive you.”

I knelt beside her, and she smiled. “Who knows, maybe I’ll even live for awhile.”

I’d not heard her be glad about living for 10 years—more than once she’d threatened to die and haunt me. But she meant it now, I could see it in her eyes, how she was lifted from her darkness. I would learn later that there’s a name for her ailment: depression-but then it was just the way things were.

Two weeks later she died on my birthday, leaving me with the blessing of being able to forgive her. Even though it was incomplete—it would take a few more decades to deal with the mountain buried under the rug—but in that moment on that day, the light in her eyes, her apology, and my acceptance was a blessing, the most profound moment of my life.

 

 

 

Mother’s Day—A Hallmark Challenge | Linda Joy Myers

 mothers_day card creative commons

Mother’s Day is a day the unmothered, abused, or barely mothered among us would like to forget—but it’s hard to do with the world around us chiming in about mothers and flowers and how she’s your best friend. We have to figure what to do, to get a card or not, and manage our way through roses and guilt and anger, through memories good and bad, as usually there is no black and white or clear edges to the story.

For years, as Mother’s Day approached, my stomach had its usual knot of anxiety, my brain running overtime: One voice would say, “You should send a card even though you didn’t live with her.” The other argues, “But she forgot your birthday and Christmas the last two years.” Then, the voice of guilt chimed in: “You should do it—after all, she’s your mother.”

 The argument would continue–it was endless actually. “She doesn’t want anyone to know she has a daughter—she doesn’t deserve a card.”

When I was twenty years old, I found out that none of my mother’s circle of friends knew she even had a daughter, but I would court her over the years, saying to myself, “Maybe one day she’ll see me for who I am—a nice person who prefers forgiveness to grudges. She’ll be proud of me for all I’ve done. I am a therapist, a teacher, and the mother of her three grandchildren.”

Each year before Mother’s day, I’d drag myself to the dreaded rack of cards. I’d argue with the mushy ones with pink ribbons that said, “You have always been there for me.”

“No you weren’t, I don’t know how that would feel.”

I would slink through the racks, often leaving with no card at all. If the voice won that urged compassion—or was it guilt—I’d get a card with a cute cat, or a photo of beautiful flowers and write my own neutral note. On the years when I didn’t buy a card, an ache gripped my stomach all day, even though my kids would make me pancakes and scrawl sweet homemade cards with crayons. Underneath the grief, anger always lurked.

We had a tough history to deal with, my mother and me. We were both daughters of mothers who left us behind. Her mother, the grandmother I would grow up with, divorced her first husband in 1920, and left my mother behind as a little girl of six or seven, making her way as a single woman in Chicago. My father left Mother and me before I was one, and for a time Mother, Gram and I lived in Kansas. When I was four, she left me with her mother and went to Chicago to live the life of a single woman, so single that during my first visit to her in Chicago when I was twenty, she explained, “No one knows I’ve been married, so of course I can’t have a daughter.” Mother was embarrassed to have anyone know she was divorced, but she kept her married last name, and called herself “Miss Myers,” which made us both a “Miss Myers.” Very confusing!

After I questioned her about why she had to do this, she insisted, “This is the way it is, and you need to accept it. Now, be quiet.”

When I was growing up with my grandmother, my mother visited once a year, dressed in stylish suits, her hair perfect, a face that always broke my heart with its beauty. She’d descend from the shimmering silver trains that brought her and took her away, touching me softly on the cheek before the spark was lit that would begin another fight with her mother—dish throwing, screaming, tears. Each time she got on the train, I wanted to go with her, to sit beside her and try to keep her from going too far.

For thirty years after mother told me not to call her “mother,” I would try to get her to accept and be proud of me and my three children. I could see it — her arms held out to me, murmuring an apology. I could taste the sweetness of it, so real to me it almost seemed as though it had really happened. If I could just do things right, if I proved I was worthy, if I acted like the dutiful daughter and sent Mother’s Day cards, that magic day would come.

The day of reckoning came in Chicago when my youngest two children were eleven and fourteen—my oldest was at college. Following in the footsteps of Gram and Mother, I was divorced too and struggling to raise the children alone. I longed for her to see how smart my youngest son was, how my daughter was growing into a young lady whose face had begun to mirror ours. Mother had only met my children twice. As she herded us down the back corridors in her hotel apartment, my son said, “This is because she doesn’t want anyone to know that we’re hers.” My daughter rolled her eyes. Later that afternoon when we were alone, he asked me, “Why do you bring us here when she doesn’t want us?”

At that moment, I knew I had to divorce my mother. I decided never to bring the children to see her again. I saw how each rejection stabbed me all year long, how her refusals to acknowledge me deepened a wound I’d always carried. It made us all different, rejectable. I didn’t want the children to know this feeling, but it was too late.

For four years, I kept the promise to myself not to contact her, but when she was diagnosed with terminal cancer, I felt that I should be with her. Even though I knew she’d deny me, this time I was prepared. And yet when it happened, in front of nurses and doctors, there was comfort in their reaction: shock followed by looks of empathy. For the first time there were witnesses to what I’d carried alone for so long.

Our family had a history of deathbed transformations, so I wondered what would unfold. When I received a call saying she couldn’t speak, it became possible for me to be with her. I knew I couldn’t bear one more rejection. I flew back to Chicago and stepped into her room where I saw a wizened old woman, bald and unrecognizable. When she saw me, she lifted her arms and gave an unearthly cry, a wailing that came from the depths of brokenness. The past swirled around us, all the times I waited for her by the train, the times she played the piano for me. Now I could see how abandoned and lost she was, unable to give the love she never had. I gathered her in my arms, both of us sobbing. For the first time, my mother received me.

Her death released me from the endless longing for her. For years, I’d felt like I hadn’t had a mother even though she was alive. Now, I was like everyone else—I had a mother who had died.

In my dreams after her death, we finally ride the train. This passage is from the first page of my memoir, Don’t Call Me Mother:

The train bisects the blue and the green, parting wheat fields by the tracks. Mommy and I rub shoulders, sitting in the last car, watching the landscape move backward, as if erasing my childhood, all those times when she would board the train and leave me aching for her. Now, in my dream, we rub shoulders, her perfume lingering. The old longing wrenches my stomach.

Click-clack, click-clack, the train’s wheels on the track, the language of my past, my future.

Her face is soft. Her wine-dark eyes glance at me with promise, an endearing look that gives me all I ever wanted. The click-clack ticks away the time, the mother time, moons rising and falling as the years fall like petals in a white garden, our body-and-blood song haunting my dreams. Mommy, where are you?

Even as she is with me, she is gone.

 

 

 

 

 

 

 

 

 

What Happens after “The End” of your Memoir?

 Eyeglasses on Two Books

 

 

It’s one thing to write a first memoir—the journey is daunting, what is the plot, how will it end since my life is continuing? These questions are some of the challenges as we work on our first memoir—which we call “the memoir,” unable to think of yet another book, so we don’t say “The First Memoir.” Still, the idea that there is more to tell—and what about all those chapters we took out during the edit—niggles in the back of our minds.

Susan Weidener, author of two memoirs—Again in a Heartbeat, and Morning at Wellington Square—is our guest for the NAMW Free Roundtable discussion Thursday April, 11.  We have something in common—writing a follow-up to our first memoir. In my case, I wrote an Afterword that I felt belonged with the original book Don’t Call Me Mother, and created a new edition with other changes, including a new subtitle- A Daughter’s Journey from Abandonment to Forgiveness. In the Afterword, I expose new secrets, and disclose my reasons for leaving them out from the first book. I include two more stories about how the healing continued after the memoir, which includes visiting the grown children of a family where I’d been abused as a five year old, and what I discovered by revisiting the past. After we write a book, our life is changed, and it’s a wonderful journey to find out how! I may write another memoir—the jury is out, as I have a novel about WWII I want to publish next.

Susan Weidener wrote a sequel to her first memoir, showing how her life goes on after the death of her beloved husband. In this sequel, she weaves in stories about her husband and her life with him, because it would be impossible to write about her new life without including him. She writes as a widow who finds herself spending time thinking about her lost past, while bravely launching herself into the dating world. With that she discovers new layers of grief and has to make adjustments about the life she’s lost.

I found it enjoyable and meaningful to learn about how she began her life-changing work of writing and teaching memoir after being a journalist for many years. She tells the tales of being a single parent of two boys after her husband dies, and her  creative techniques for landing a job at The Philadelphia Inquirer. It’s a story about a woman’s life, a regular person, and this is what makes her story important. As regular people ourselves, we identify with her, and want to learn from her story.

The lesson I took away from her book was this: if we are open to where life takes us, we make discoveries and we create a new life that opens out in its magic to offer us ways to live that we might never have discovered. In Morning at Wellington Square, we invest in the adventure of day-to-day living, discovery, and renewal.

Even if you can’t imagine writing another memoir, it remains a possibility you might consider. I know many memoir writers who are thinking of their next memoir—and after all, you’re in good company. Think Mary Karr, Frank McCourt, and our own Susan Weidener.

Please join us for a lively and inspiring conversation about writing your next memoir!

 

 

Book Promotion? Not Yet! I’m in the Middle of my Memoir

old-book-&-pen 

You may be in what I call the “Muddy Middle” of your memoir as you work your way through the stories, your turning points, the arc of your narrative, your plot, your memories and truths, but it’s not too soon to think of book promotion.

Let me tell you why:

  1. It’s a long journey from the beginning to the end of a memoir. In the meantime you need to eat, sleep, read, learn, and build your platform! Part of building it is learning about how the book world works.
  2. Platform building means understanding the world of networking, blogging, social media, and marketing. Not all at once, in bite sized, comfortable doses.
  3. Because we have a terrific guest this week for the NAMW Member Teleseminar: Sandra Beckwith.  She’s going to talk with us about The Reluctant Memoirist’s Guide to Book Promotion. Read her blog post here about book promotion.

Read more about Sandra’s presentation below. But first—we think this is such an important topic we’re going to offer you a discount so you can join us for this discussion. We don’t have sales very often at NAMW, but we’re going to break the “rules” and have this ONE DAY ONLY sale on March 22 until midnight.

Enter the coupon code 20-OFF when checking out. Be sure not to forget the code—we can’t give it to you later if you forget! We can’t offer this for more than one day, so take advantage while it lasts.

Read more about the benefits of being a member of the National Association of Memoir Writers here. 

Read what Sandra says about marketing, promotion, and her presentation:

Writers tend not to want to market or promote, or they think they can’t. Getting “out there” and talking about your book can be downright painful for shy people or those who prefer to write, not talk. Then there are those who aren’t shy, but aren’t comfortable in situations where they’re the center of attention.

Still others are afraid they will be labeled as “shameless self-promoters.” Can you blame them? We’ve all seen shameless promoters . . . and they’re not attractive. We want them to go away and leave us alone. How can you overcome your reluctance to promote your book, regardless of your reason?

Discover how you can overcome the most common “I can’t do this” excuses and have a successful, rewarding book launch!

During “The reluctant memoirist’s guide to book promotion,” you will learn:

  • The most common excuses for avoiding book promotion
  • The single most important thing to remember about promoting your book
  • Where and how to start
  • How to find the process that works for you
  • 7 surefire promotional tactics for shy authors
  • How to find time to just do it

Sandra Beckwith is a former national award-winning publicist who now teaches authors how to be their own book publicists. She works as a book marketing coach, publishes the free Build Book Buzz e-zine, teaches an e-course on book publicity and promotion, and offers training programs designed to help authors learn the best ways to promote their books. The author of four books of her own, Sandra also ghostwrites and edits books and proposals.  Learn more at http://buildbookbuzz.com.

Become a member of the National Association of Memoir Writers to get access to this presentation. Join us here.